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Work boots from Caterpillar offer both low and high top styles so men can find the level of ankle support that works best for their occupation. A pair of Caterpillar boots fitted with a steel toe protects feet in industrial settings. Red Wing boots are another terrific   choice that is available with both a soft and steel toe. Choose from lace-up and slide on designs to give feet the fit that they crave during long hours on the job. When Function Meets Fashion Timberland boots are a top choice for men who value both style and functionality. The rubber outsole provides a strong grip in wet conditions, while the classic design looks fantastic with an assortment of outfits. The sturdy construction makes Timberlands a popular choice for men seeking a fashionable snow boot. Motorcycle boots, such as those from Harley Davidson, aren't just for bikers. When you want to add an edgy touch to your outfit, these lace-up leather boots are a smart selection.As Stanford students in the mid-Sixties, the AAA (or “the Triple A,” as they are often called) were exposed to both sanctioned and informal LSD experiments amidst a community of provocative artists and thinkers.

Tinkering with emergent video and music technologies, the AAA formed a rock band that aimed to expand consciousness through immersive music experiences, a regimen of psychedelic drugs, and a collectively spontaneous presence in the world. motorcycle shop san dimasThis very intentional commitment to consciousness expansion and to an art-driven lifestyle eventually led the AAA to southern Colorado where they joined an emerging culture of young artist refugees who were homesteading in the Huerfano Valley. ducati monster for sale new zealandThe AAA created linkages between the major sites, people, and ideas of the counterculture but are seemingly under-documented and all but forgotten, and ironically anonymous.motorcycle tires niagara falls

The story of the AAA is fantastic. Their endeavor to be a band was jump-started by several gifts: the first was a full set of instruments financed by one of the artists, Lars Kampman, which was followed by Owsley Stanley’s gift of 100,000 micrograms of (then legal) LSD. motorcycle dealer in chico caThey were also given the second music synthesizer in the US by Don Buchla, its inventor, which took a year to build out at the highly influential Tape Music Center in San Francisco. motorcycles for sale beirut lebanonThe AAA were one of the first psychedelic bands at a time when rock and roll was redefined through massive advances in amplification technology and by music labels, like Capital Records who commissioned LSD fueled projects. kawasaki vulcan for sale nz

The AAA frequently opened for the Grateful Dead and headlined at Ken Kesey’s notorious Acid Test Graduation. Their performances went on for hours and weren’t especially  good, involving costumes and a topless bassist, handmade instruments and spontaneous improvisations that mixed with strobe lights and film projections, turning the show into a multi-sensory immersive experience.   The AAA disintegrated in the mid-80s after their charismatic ringleader, Lars Kampman, died of AIDS. Prior, the collective bought a bus and toured the country making music and mayhem, eventually landing in Colorado where they built homes on several parcels of rural land. Their music crashed into the small towns of Walsenburg and Chama as well as Denver, creating soundscapes for the commune movement that magnetized hoards of youth into the Rocky Mountains. Although the band is now defunct, the AAA still collectively own some 400 acres in Colorado’s Huerfano Valley, situated near Libre, a thriving 40-year old commune.

Several people continue to live on the AAA land, old friends come to visit, but the homes and people are aging and the land may one day be in jeopardy.  The group wove together the likes of Stewart Brand, Nina Simone, Bruce Conner, Alan Ginsberg, Andy Warhol, Hell’s Angels, Santana, the San Francisco Diggers and the Mime Troupe. They helped to evolve radical music and art-making practices and were certainly at the center of a major cultural shift. Therefore, I want to analyze how the AAA’s alternative forms of art-making were instrumental in linking people coast to coast and from cities to countryside, ushering in a new set of social, political, and artistic norms.I’m interested in how the story of the AAA might trace the evolution of an experiential art practice -- one that merged music, visual arts, fashion, and performance, that drew inspiration from Happenings, the Dadaists, and street theater -- that was not so much about making objects, but making experiences. I want to know more about the group’s mundanely spectacular corroboration of a counterculture, and also what experiences or dynamics may have allowed for such authentic self-expression – what was happening at Stanford that fed this vanguard of wildly experimental, yet thoroughly educated youth?